5/4/2023 0 Comments Dslr dark noiseNight mode works by shooting a set of short exposures and then merging them together for the best detail and light-gathering capabilities. We’re now a couple of generations along from the first Night mode, and each one seems to outdo the last. Smartphone manufacturers have put a lot of know-how into perfecting their low-light offerings, and that’s particularly the case for the best iPhones. The iPhone Pro Max below features exactly the same camera specs but offers a larger 6.7-inch screen than the Pro's 6.1-inches. In short, it's the best iPhone you can buy for photography if you want something manageable in size. The iPhone 14 Pro is a relatively compact smartphone with a mighty camera mix. Still, if budget is tight you could save some decent cash by plumping for the older model. There are two notable criticisms with the Z6 II - the first is that it's not a huge advancement over its own predecessor, and the second is that compatible Nikon Z-mount lenses (opens in new tab) - especially wide aperture prime lenses - are still a little on the expensive side. Handling is also excellent, while the screen and viewfinder combination are a pleasure to use. You get a very good ISO range and image stabilisation is built into the body so handheld shooting in low light conditions is pretty good here. It’s also got a decent autofocusing system which is sensitive down to -4.5EV - that’s not quite as good as some of the others on the list, but this camera is also more modestly priced than some. The Nikon Z6 II uses a lower resolution sensor than its more advanced stablemate (the Nikon Z7 II (opens in new tab)), which suits low-light shooting well. Here’s another model which is a great all-rounder that puts in a good performance in a number of conditions, including low light. You also get the benefits of smaller and lighter handling, which could make it a good option for travel and street photography if you like to head out after sunset. In the modern market, a 12 megapixel sensor seems very low, but it will still leave you able to create A3 sized prints should you need to. While it still won’t necessarily beat other cameras with large sensors, if you’re keen on the other advantages, such as size, price and lens range, it's worth thinking about. That’s particularly true if your budget is tight, or you’re already working within the Micro Four Thirds lens (opens in new tab) system.ĭual Native ISO is a clever piece of tech which boils down to producing less noise at higher sensitivities, resulting in a maximum sensitivity of ISO 51,200 - otherwise unheard of in Four Thirds sensors. Of course, if you're planning on shooting night skies for example, you'll be shooting using a tripod and bulb mode so the aperture doesn't matter so much as you'll be letting a lot of light in with super long shutter speeds.Īlthough this is another camera which is primarily targeted towards videographers, the fact that the Panasonic GH5S (opens in new tab) uses a low resolution sensor and includes features such as Dual Native ISO also makes it a good choice for low-light photographers. You'll want a lens that has a wide aperture of f/1.4-f/2.8 if you want to shoot mostly hand-held. This is because the lens you choose often determines how much light can be let in based on the maximum aperture. Most of the cameras we've included are interchangeable lens cameras. Cropped sensor cameras are often smaller, lighter, more portable, and have smaller lenses so if you intend to travel a lot or have it on you at all times, it might be an idea to think about that too. You just need to weigh up what is most important to you in a camera system. ![]() That being said, you can get excellent APS-C cameras in low-light. You also need to take into account the pixel count as cameras with a smaller pixel count use larger individual pixels so they are better at gathering light information. While there are a lot of full-frame cameras in our guide, cameras with back-illuminated sensors tend to perform best in low-light conditions. This is because it has a bigger surface area so it can capture more light but it's not quite as simple as that. The general rule is that the bigger the sensor, the better equipped it is for low-light scenarios. Whether you're after one of the best mirrorless cameras (opens in new tab), best DSLR's (opens in new tab) or even one of the best compact cameras (opens in new tab), certain cameras within these categories will be better for shooting in low light than others.
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